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法国文学理论家茨维坦·托多洛夫在《批评的批评》中说过:“批评是对话,是关系平等的作家与批评家两种声音的相汇。”美术批评家与画家的关系也同样如此,也要建立在平等的基础上才能进行深层次的交流。但平等交流的前提是:批评家不仅需要有着坚实的写作技巧,对艺术史有着充分的了解,具备艺术理论能力,更需要对绘画有着一定的认知及创作技能。但今天许多评论家甚至不乏名家对于绘画创作本身却知之甚少,
In the Criticism of Criticism, French literary theorist Zivitan Todorov said: “Criticism is dialogue and it is the sum of two voices of an equal relation between writer and critic.” Critics and painters The same is true of the relationship, but also on the basis of equality in order to conduct deep exchanges. However, the premise of equal exchange is that critics need not only to have solid writing skills, to have a full understanding of the history of art, to have the ability of art theory, but to have certain cognitive and creative skills in painting. However, many critics today even lack some famous artists who know little about painting itself.