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山水画所描绘的直接对象就是自然山川,但从山水画滥觞之时,其目的就不是为了表现山川结构和造化之美,而是要通过山水阐幽发微、畅神明志、体悟大道。因此,山水画中的写生,承载着澄怀观道的目的。笔者从20世纪80年代起就沉浸于山水画,尤喜于写生中揣摩绘画之道,曾求学于北京画院王文芳、中央美术学院王镛等先生门下,体悟中国画传承之法门。二十余年来,笔者在山水写生过程中反复探求,并对山水画背后的文脉进行了系统思辨,以期将传统文化的精粹熔铸于笔端,实现艺术之境的澄明与通达。
The direct object depicted by the landscape painting is natural mountains and rivers. However, when the landscape paintings originated, the purpose is not to show the beauty of the mountains and rivers and the beauty of nature, but to reveal the beauty of mountains and rivers and express their inspiration through the landscape. Therefore, the sketches of landscape paintings bear the purpose of Cheng Huai Guan Tao. I have been immersed in landscape painting since the 1980s. I especially like drawing pictures of paintings in sketching. I once studied under the door of the Beijing Academy of Fine Arts, Wang Wafang and the Central Academy of Fine Arts. In the past twenty years, I have repeatedly explored the process of landscape painting and systematically explored the context behind the landscape painting with a view to casting the essence of traditional culture to the pen end, realizing the clarity and accessibility of the artistic environment.