一体多元:中国电视文化的理性重构

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中国电视今年将迎来45周年华诞。回顾中国电视事业的发展历程,既离不开大胆的探索和创新,也离不开冷静的反思和总结。可以说,认真、客观、科学地分析历史和现状,实事求是地去总结经验,正是我们迎接中国电视事业新一轮腾飞的前提和基础。 《一体多元:中国电视文化的理性重构》一文,试图用历史的、国际的视野,从文化的、体制的角度对中国电视文化作综合性的、多维度的审视。该文所提出的“文化形态的一体多元”、“产业体制的一体多元”等论点。无疑是比较新鲜和富有探索意义的,同时,其中不少看法亦会给广大电视界同仁带来启迪。 列宁曾经指出:“物质的抽象、自然规律的抽象、价值的抽象以及其他等等,一句话,一切科学的(正确的、郑重的、非瞎说的)抽象,都更深刻、更正确、更完全地反映着自然。”正确的理论,总是来自于实践,并经过实践的严格检验,方能更好地去服务于实践和指导实践。本文所述大体上属于基础理论探讨的范畴,而又和电视的实践认识有着密切的联系。毫无疑义,文中所提的一些论点,当然还须经过电视实践的检验,也须经广大电视工作者形成共识,才可能发挥其应有的作用。 本文作者李晓枫系中国视协副主席、重庆电视台台长。晓枫同志不仅具有多年电视工作的实践,而且在电视理论研究方面亦颇有成就。? Chinese TV will usher its 45th anniversary this year. Recalling the development of China’s television industry, both can not do without bold exploration and innovation, but also inseparable from the calm reflection and summary. It can be said that earnestly, objectively and scientifically analyzing history and current situation and seeking truth from facts can sum up our experience. This is exactly the premise and basis for us to meet the new wave of China’s television industry to take off. “One Multiple: Pluralism: A Rational Reconstruction of Chinese Television Culture” tries to make a comprehensive and multi-dimensional examination of Chinese television culture from a historical and international perspective and from a cultural and institutional perspective. The article put forward the “cultural diversity of one” and “multiple industrial systems,” and other arguments. There is no doubt that this is a relatively new and meaningful exploration. At the same time, many of these views will also bring enlightenment to the broad masses of the TV industry colleagues. Lenin once pointed out: “Material abstraction, abstraction of the laws of nature, abstraction of value, and so on, all the more abstract, scientific, correct, and non-nonsense abstractions are deeper, more correct, and more complete Reflects the nature. ”The correct theory always comes from practice, and through rigorous testing in practice, we can better serve to practice and guide practice. This article generally falls into the category of basic theoretical discussions, but closely related to the practice of television. Undoubtedly, some of the arguments raised in the paper of course have to pass the test of television practice and the consensus of vast numbers of television workers before they can play their due role. Li Xiaofeng, the author of this article, is the vice president of China Association of Visual Arts and the director of Chongqing TV Station. Comrade Xiaofeng not only has many years of television practice, but also has made considerable achievements in the study of television theory. ?
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