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Introduction Since the late 1970s, Anglophone scholarship on women and gender in China has grown from an occasional transgressive intervention (in which scholars said: "Women were there too-politieal historians take note!") to a rich, increasingly detailed, inventive field of its own.In an essay for an earlier meeting of this series of conferences on Chinese Studies in North America,"美国中国妇女研究评述,"Professor Lu Weijing 卢苇菁 deftly analyzed some of the major trends in this emergent field, concentrating upon works that dealt with the late imperial period.As she noted, works by Susan Mann, Francesca Bray, Patricia Ebrey, Dorothy Ko, Janet Theiss, Ann Waltner, and others have thoroughly overturned what Dorothy Ko dubbed the "May Fourth" story of Chinese womanhood.