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美术院校工艺美术系、师范院校美术系的教学中,基础图案在课时安排上占有相当大的比重。而写生变化,通常被视为基础训练的“天下第一坦途”。但是,对我国传统的图案艺术从理论与实践上略加考察,就能提出一些不同的看法。我因教学之需,也不免要作些探索。这篇短文,正是为了就教於前辈和广大的读者。作为龙的传人,炎黄子孙,若抛开被西方视为神奇的东方文明之花的祖国数千年的灿烂文化,一味地按着日本人所引进的法国图案学之路走到底,
Fine Arts Department of Arts and Crafts, Department of Fine Arts Normal University teaching, basic patterns in the class arrangements occupy a large proportion. The sketch changes, usually regarded as basic training “the best in the world”. However, we can make some different opinions on the traditional pattern art in our country from the theoretical and practical inspection. I need to make some exploration because I need it. This essay is precisely for teaching to our predecessors and readers. As a successor to the dragon, the Chinese and the Chinese descendants of the Yellow Emperor, if they put aside the splendid culture of the motherland, which was regarded as the miracle of the flowers of oriental civilization by the West for thousands of years, and follow the road of the French pattern introduced by the Japanese blindly.